Puget Sound
Traditional
Jazz Society
Black Swan is an entertaining, artistic group that loves performing hot jazz, ragtime and old-time gospel with a distinctive, original flair.
A New York City based septet led by cornetist Mike Davis, vividly invoke America’s Jazz Age during the 1920s, when jazz was the soundtrack for dramatic national changes
Bridge Town Sextet offers authentic 1920s and 30s hot jazz, stomp, blues, and swing.
Market Street Jazz Band is a rip-roarin' good time! We perform the best of traditional New Orleans style Jazz. From 1920's hits to classic Dixieland, we add a bit of spice to any event!
Black Swan is an entertaining, artistic group that loves performing hot jazz, ragtime and old-time gospel with a distinctive, original flair.
Black Swan is an entertaining, artistic group that loves performing hot jazz, ragtime and old-time gospel with a distinctive, original flair.
JAZZ AROUND THE SOUND
Check out our events calendar for the best trad jazz and Dixieland bands playing on the West Coast, from Victoria, B.C. to California.
It is suggested that you check with the sponsoring organization if you find any scheduled event. Some websites may have not be updated to reflect cancellations or current status. Also check with our current Jazz Soundings newsletter for additional events and venues.
Read The Newsletter
Puget Sound Traditional Jazz Society has released our latest newsletter. Click on the image to download the latest PDF newsletter. You may also view our archive of past newsletters here
Support LOCAL Jazz
BECOME A MEMBER OF PUGET SOUND TRADITIONAL JAZZ SOCIETY
If you have a passion for jazz, please consider joining the Puget Sound Traditional Jazz Society (PSTJS). As a member.
stations featurING
traditional jazz.
Tune in and give them a listen, then let the station know that you appreciate their effort in airing this kind of music. If you know of any other stations with programs featuring vintage jazz, please let us know so we can add them to our listings. Happy listening.
The latest in Jazz News…
The April concert was another really fine afternoon of wonderful traditional jazz brought to us by Alex Guilbert as leader of his Stampede Seven.
Mike Davis traces his love for the trumpet back to a Disney movie. He grew up in a musical family, with both his parents playing strings in the Seattle Symphony, but Davis wanted an instrument of his own.
Call it a hot jazz scrimmage, a rent-party rumble, a barn-burner of stomps and blues; Black Swan doesn’t just play the gig; they blow the roof off the joint and then move the goalposts for good measure.
This month’s PSTJS session features Alex Guilbert’s Stampede 7 Sextet.
Wow! What a cool afternoon of music performed by the Hot Lovin’ Jazz Babies from Portland this afternoon!
Although the Hot Lovin’ Jazz Babies have performed for us just once before this month, most of its members are familiar to us as part of the Bridgetown Sextet.
“Arnt’s repertoire is optimistic and romantic but there’s also melancholy: Hear his moving, even fierce “Brother Can You Spare a Dime?” in honor of Bing Crosby and economic miseries, and his earnestly wounded “Careless Love.”
Well darn, that was really fun. I am still basking in the energy that was present in the room at our meeting yesterday at the Elks.
Robert “Bob” Rann, renowned tubaist and a foundational figure in the traditional jazz revival movement, passed away peacefully on August 1, 2025, at the age of 88.
Our inaugural show for the 2025–26 season features Matt Weiner’s Noonatics, a combination that debuted on our stage in March 2023 as a tip of the hat to the great New Orleans clarinetist Jimmie Noone.
Growing up, I was fortunate enough to receive a well-rounded education. My family and most of their friends were secular Jews. Where we lived, if your kid didn’t go to college, the whole neighborhood would find out about it …
The old standby, “this band needs no introduction ...” is an especially fitting way to present this January’s featured attraction. Co-founded by our president Dr. Terry Rogers…
I am pleased that Judy has asked me to do some writing for the Puget Sound Jazz Newsletter, and since I have just finished writing liner notes for a new piano CD where I consider jazz as a “tribal” experience…
The column below is from the Quad-City Times titled “Dough’s Q-C” Doug answers questions about collectibles. The Quad Cities includes Davenport, Iowa, Rock Island, Moline and East Moline, Ill.
This is one more in a series of biographies of great traditional jazz musicians. The series started with the March/ April 1991 issue and was developed by Rambler founding publisher and Board Member, the late Len Levine). Reprinted from the Spring 2012 Jazz Rambler.
Some people, those who are unfamiliar with Our Kind of Music, will make the totally erroneous statement that “It all sounds alike.” Nothing could be further from the truth…
Trumpeter, Lu Watters was born in Santa Cruz, California, on December 19, 1911, and began playing the trumpet/cornet at a very early age.
Recently, jazz pianist Ray Skjelbred was listening to the 1941 recording of “The Last Time I Saw Chicago” by The Three Deuces, with clarinetist Pee Wee Russell, pianist Joe Sullivan and drummer Zutty Singleton
In the late 70’s my wife, Mavis and I were anticipating retirement, with a paid mortgage and the kids gone; we decided to go on a vacation in Hawaii
As some of you know - Erik was a charter member of PSTJS and was at the first concert in 1975.
I was first introduced to Gaye Anderson and her New Orleans Creole Restaurant the Friday evening of Mardi Gras weekend…
Anyone who pays attention to Tom Bartlett’s playing stance with the Yerba Buena Stompers may notice that it resembles Turk Murphy’s
Through the long existence of our PSTJS, there have been many individuals who have done more than their share to keep the organization going.
Nestled in the woods of Edgewood, Washington, is a haven where music comes alive and is preserved for generations. David Lange Studios, stocked with top quality equipment and impeccably designed to capture true sound…
Ray Skjelbred plays a rumbling bass line on a slow blues, head turned away from the piano and eyes shut tightly in concentration. He is inhabiting the soul of Chicago pianist Art Hodes.
This is one more in a series of biographies of great traditional jazz musicians. The series started with the March/April 1991 issue and was developed by Rambler founding publisher and Board Member, the late Len Levine
A fine example of how the saying “Less Is More” can actually be true, for the “Seattle Jazz Party” the weekend of March 16-18 at the Holiday Inn at Sea-Tac airport.
The Best of the Best
NORTHWEST TRADITIONAL JAZZ BANDS
Proceeds benefit the Youth Scholarship Fund of the Puget Sound Traditional Jazz Society.

